MEASUREMENT TOOLS

The information and resources on this page are here to help guide non-profit, regional, and academic theatre companies in assessing their sustainable impact. Modules include: Benchmarking & Certification; Measuring Environmental, Social and Financial Impact.

This section is a collaboration of the Sustainable Production Toolkit and BGA


 

Considerations for Civil Society in Developing Technical Mechanisms for Mitigation:

“In the context of the international climate negotiations (COP), it is easy as civil society organizations to focus on tackling climate change from the perspective of “mitigation and adaptation” and its more technical aspects...Navigating this technical language allows us to understand, communicate, influence and generate proposals for action...Amid all this, however, it is crucial to recognize that each technical proposal, each mitigation mechanism, each adaptation measure has an impact. Reveals a stance. In a world and system marked by historical power relations, it will necessarily benefit some and not others. It is necessary to recognize, explain and question this by introducing our own terms to the conversation: a language of clear political stances, understanding in politics, such as life, the scope of power relations and justice.” 

Source:  350.org – Facing climate change through justice and intersectionality


a holistic approach

A holistic approach to benchmarking and measuring impact considers the three aspects of sustainability in tandem with your organization’s unique mission, vision and values.

Social

Ensure an antiracist, equitable, and inclusive community where all members can contribute, working in a healthy environment for fair and liveable wages and hours.

  • Environmental

    Protect our communities and the planet from degradation, through responsible and regenerative operating, design, and production practices. Build a responsible relationship to land and natural resources.

    Economic 

    Budgeting and season planning that supports sustained operations, livelihoods and equitable wages for staff and guest artists.


benchmarking: environmental

Three arrows that display examples of Scope 1, 2, and 3 emissions.  Scope 1 examples are on-site fuel combustion and company vehicles.  Scope 2 examples are purchased electricity and purchased steam.  Scope 3 examples are sets, costumes, props, and …

Scope 1, 2, 3 Emissions

Scopes 1-3 help calculate the carbon footprint of an organization. Scope 1 emissions are direct emissions, Scope 2 and 3 are indirect emissions such as audience travel.

Questions related to environmental considerations can be found throughout the SPT Benchmarking Tool.




benchmarking: Social

Social sustainability embeds equity and justice into an organization. It is an investment in well-being of the staff, artists, community and organization.

Jemez Principles for Democratic Organizing (ejnet.org)

Questions to Consider:

  • Is your organization actively and consistently embedding anti-racism into your value system, culture, and work practices?

  • How is burnout being addressed within my organization? 

  • Do your organization's facilities meet accessibility guidelines?

  • What committees do you have?

  • Do you have a short to long-term plan to ensure designers, faculty and staff have commensurate resources and equal support? 


benchmarking: financial sustainability

Image of a man with his arm raised in the air, onstage in front of a white board.  Quote reads, "a budget is a reflection of ethics."

Consider how to invest in artists, well-being and programming in a way that is equitable, transparent and community-centered.

‘Let’s Get to Work,’ Mark Kelly Says - The New York Times (nytimes.com)

Questions to Consider:

  • Do you have a wage parity action plan?

  • At what rate does your organization compensate outside artists, relative to a comparable union scale for your level of production?

  • At what rate does your organization compensate part-time labor, relative to the living wage for your area?

  • Are your budgets fairly consistent from year to year, or do they fluctuate depending on outside sources of funding?

  • Do you have a budget line for design builds and/or alterations?

  • Do you have a budget line item for design assistants and/or build positions for each production that suits the size, scale, and style of the production?


benchmarking: budgeting

One approach to reducing the carbon footprint of scenery is to minimize the use of new materials.  The budget is the best place to start.

  • Set a goal, e.g. no more than 50% new materials

  • Put a dollar value on stock items

  • Break your materials budget into three columns tracking stock, used, and new materials separately

  • Reallocate funds from materials toward labor and transport needed to source used materials

  • Save money on disposal - no more dumpsters!

Sample Scenic Design Budget for Peer Gynt from Barnard College Department of TheatrE

Element Descriptions Stock Materials Used Materials New Materials Rentals Build Load-in
Painted Show Floor $0 $0 $405 $0 $0 $24
Hedge Wall $316 $709 $191 $68 $44
SR Runway $289 $0 $40 $32 $20
USR Mountain Unit $254 $0 $95 $30 $6
USL Mountain Unit $254 $0 $95 $30 $6
LED Horizon $180 $0 $120 $6 $12
LED Contours $135 $0 $60 $8 $16
Trees $0 $0 $369 $56 $8
Painted Back Wall $300 $0 $4
Paint, Hardware, Misc. $0
Totals $1,429 $709 $1,720 $0 $230 $140

Examples of Benchmarking and Certification Tools

Organization Name What does it measure? How is it used? Complexity / Time Commitment Sector(s) / Industries Served
Green Spark Group PACT for Sustainable Action Environmental, Social, & Financial Self-Assessment & Reporting + Third Party Consulting Become a signatory of the PACT by endorsing the PACT and pledging to work towards the goals therein. Entertainment Industry
Environmental Media Association EMA Green Seal Environmental & Social Aspects Self-Assessment & Reporting Checklist with 20 sections (247 rows of questions), self-assessed, approved by EMA. Questions overlap with PEACH+. Entertainment Industry
(FIlm & TV)
Green Production Guide Green Production Guide Environmental Impact Self-Assessment & Reporting PEACH+ is a 4 step checklist (475 rows of questions) for productions. PEAR Carbon Calculator is a self-checklist with 9 sections of data-logging spreadsheets. Entertainment Industry
(Film & TV)
Albert Carbon Calculator & Production Certification Environmental Impact Self-Assessment & Reporting 10 day audit after answering series of questions about pre production through post production (Gradually filled out through production process, finalized at the end). Entertainment Industry
(UK)
Arts Earth Partnership Green Business Certification Program Environmental & Social Aspects Third Party Assessment & Verification Short application form, Initial visit from AEP rep., Implement changes in 8 areas of operation, Return visit from AEP rep to evaluate changes and certify. Entertainment, Higher Education, Museums, Municipalities
Julie's Bicycle Creative Green Certification Environmental Impact Self-Assessment & Reporting Assessment of three broad categories: Commitment, Understanding, and Improvement (from year to year). Entertainment Industry
(UK)
AASHE STARS Environmental & Social Aspects Third Party Assessment & Verification Six Steps: Stars Technical Manual, Stars Reporting Tool for Data Collection, and Stars Review Template for Quality Assurance. Higher Education
CCS Creative Carbon Scotland Energy, Equipment, Travel, Waste & Water Self-Assessment & Reporting Download the excel spreadsheet and follow the instructions Various
GCC Gallery Climate Coalition Calculator Environmental Impact Self-Assessment Free to use, need to become a member to save data (membership is free but requires signing their pledge) International Entertainment Industry
CGTCA Creative Green Tools Canada Environmental Impact Self-Assessment & Reporting Sign up for one of their training sessions before accessing the tools Entertainment Industry


measurement tools Authors & process

From September - December 2020, a group of thought-leaders from across the country joined together as part of a Leadership Task Force to develop sustainability modules. This Task Force and the subsequent modules were the result of a collaboration between the Broadway Green Alliance and the Sustainable Production Toolkit (Mike Banta, Lauren Gaston, Sandra Goldmark, and Edward T. Morris).

This document was written by and for the regional, non-profit, and academic theatre community and, as such, provides many recommendations specific to those forms. However, the recommendations are applicable to theatre makers and artists in any location. We suggest readers seek out local, comparable alternatives and reach out to the Broadway Green Alliance for assistance or to share suggestions.

We welcome your feedback, recommendations, and thoughts. Please email questions and suggestions to the BGA.

Task Force Members:

Mike Banta, Sarah Bartlo Chaplin, Devon Berkshire, Molly Braverman, Kimberly Butler-Gilkeson, Zinarta Judea Cruse, Charlie Deull, Krissy Dove, Ian Garrett, Lauren Gaston, Napoleon Gladney, Sandra Goldmark, Branden Huldeen, Katie Liberman, Lauren Mandras, Davis McCallum, Edward T. Morris, Dominic Taylor, Donya Washington, Sarah Williams